THE DAY SERGEANT SCHULTZ LITERALLY SAW ABSOLUTELY NOTHING ON SET
The studio lights were bright, and the audience was already leaning in, hanging on every word. It was 1971, and John Banner was sitting across from a talk…
THE DAY THE MONOCLE JOINED THE SERGEANT FOR BREAKFAST
Werner Klemperer leaned back in his chair, the stage lights reflecting off his polished shoes. He wasn’t wearing the uniform, of course, but after twenty years, people still…
HOW JOHN BANNER TRULY SAW NOTHING ON THE HOGAN’S HEROES SET
The interviewer reaches under the table and produces a heavy, dull-grey helmet with the distinct markings of a Sergeant in the Luftwaffe. John Banner’s eyes immediately widen. He…
RICHARD DAWSON AND THE CASE OF THE STUCK SCHULTZ
I remember sitting on a stage in a drafty convention hall back in the late seventies, just a few years after the show had gone into heavy syndication….
THE DAY JOHN BANNER ACCIDENTALLY ATTACKED RICHARD DAWSON WITH STRUDEL
The interviewer leans back in the plush chair, the studio lights reflecting off his glasses. He looks over at Richard Dawson, who is sitting with that effortless, cool…
THE DAY SERGEANT SCHULTZ ACTUALLY SAW SOMETHING DELICIOUS
The studio lights were always a bit too bright for a man of my vintage, but that afternoon in the late sixties felt particularly heavy. I remember sitting…
RICHARD DAWSON RECALLS THE LEGENDARY MONOCLE PRANK ON THE HOGAN SET
The studio lights were a bit softer than the ones he had lived under for years on the set of Family Feud, but Richard Dawson still had that…
THE SURREAL LUNCH OF THE MAN IN THE MONOCLE
The studio was quiet, the kind of expensive silence you only find in late-night radio booths or high-end archival interviews. Werner Klemperer sat across from me, looking every…
THE DAY COLONEL KLINK’S EYE WENT FOR A SWIM IN COFFEE
The interviewer leans forward, the studio lights catching the silver rim of a small, circular object in his hand. “Werner, I think you recognize this,” he says with…
THE HILARIOUS TRUTH BEHIND COLONEL KLINK’S FAMOUS MONOCLE
I remember sitting in a studio in Los Angeles during the late nineties, doing one of those retrospective interviews that actors of a certain vintage eventually find themselves…